• ANA KARKAR SOLO PRESENTATION
    아나 개인전
    Booth B40
    6 – 10 September 2023
    COEX 1F, Hall A&B, 513, Yeongdong-daero, Gangnam-gu, Seoul
      
    For Kiaf SEOUL 2023, Galerie Marguo presents nine new and recent paintings by Paris-based artist Ana Karkar, marking her first exhibition in Asia. Ana Karkar’s trippy projections of torsional nudes writhe, float, and linger in the threshold between pleasure and fear, shame and emancipation. The unstable vicissitudes of identity, of desire, of the boundaries between the self and the double, are rendered through Karkar’s fluvial, sinuous strokes.
     
    Full Press Release: English · Korean
    ANA KARKAR SOLO PRESENTATION 아나 개인전 Booth B40 6 – 10 September 2023 COEX 1F, Hall A&B, 513, Yeongdong-daero, Gangnam-gu,...
     
    • Ana Karkar On a dime, 2023 Oil on linen 130 x 97 cm (51 1/8 x 38 1/4 in)
      Ana Karkar
      On a dime, 2023
      Oil on linen
      130 x 97 cm (51 1/8 x 38 1/4 in)
    • Ana Karkar First Bite, 2023 Oil on linen 50 x 61 cm (19 3/4 x 24 in)
      Ana Karkar
      First Bite, 2023
      Oil on linen
      50 x 61 cm (19 3/4 x 24 in)
  • In Karkar's paintings, consider the recurring presence of teeth amidst the rapturous haze of bodies and faces: symbols of intimacy and aggression, vulnerability and violence. The mouth framed here as a two-way street for the release and absorption of energy.
  • Ana Karkar, No more staring at the ceiling, 2023

    Ana Karkar

    No more staring at the ceiling, 2023
    Oil on linen
    162 x 130 cm (63 3/4 x 51 1/8 in)
  • Reminiscent in feeling of Schiele and Bacon’s raw, warped expressionism, her paintings give rise to figures at once starkly defined yet simultaneously provisional. Alchemical in their eroticism, lovers evaporate into a joint wisp of smoke, or decompose into jumbles of acid-hued ligaments and biomorphic planes.
  • Ana Karkar, Falling where you lay, 2023

    Ana Karkar

    Falling where you lay, 2023
    Oil on linen
    97 x 146 cm (38 1/4 x 57 1/2 in)
  • While modeled on images of found erotica – a nod to the ubiquity of such media in the bygone era of a post- free love San Francisco, whose wake extended into Karkar’s childhood – these new works meditate on the psycho-existential interiority of selfhood and the task of negotiating the worlds we move through.
    • Ana Karkar Landslide, 2023 Oil on linen 130 x 97 cm (51 1/8 x 38 1/4 in)
      Ana Karkar
      Landslide, 2023
      Oil on linen
      130 x 97 cm (51 1/8 x 38 1/4 in)
    • Ana Karkar Breathing gasoline, 2022 Oil on linen 89 x 130 cm (35 x 51 1/8 in)
      Ana Karkar
      Breathing gasoline, 2022
      Oil on linen
      89 x 130 cm (35 x 51 1/8 in)
  • Ana Karkar, Call me Snake Again, 2023

    Ana Karkar

    Call me Snake Again, 2023
    Oil on linen
    97 x 146 cm (38 1/4 x 57 1/2 in)
  • The janus-faced motifs of violence and pleasure that run through this body of work are bound by their shared potential for release. Karkar’s practice similarly approaches painting as an act of liberatory expression, and explores the capacity of art objects to serve as conduits of shared energy between maker and viewer.
  • Ana Karkar, A touch to be undone, 2022

    Ana Karkar

    A touch to be undone, 2022
    Oil on linen
    54 x 73 cm (21 1/4 x 28 3/4 in)
  • ABOUT THE ARTIST
    Portrait of Ana Karkar. Photo: Kira Bunse. 

    ABOUT THE ARTIST

    Born and raised in San Francisco, Ana Karkar studied at the San Francisco Art Institute, the Sorbonne and the École Nationale Supérieure des Beaux-Arts in Paris. She dropped out of her MFA for a job at Louis Vuitton HQ where she worked for 7 years in image production and digital media. In 2013 she was mentored in the TURPS Correspondence program based in London.


    Her work is influenced by images held in the collective conscious, experimental film and cinema. She offers an alternative perspective to these images via painting. The storytelling in her work is inspired by film directors such as Stanley Kubrick, Brian De Palma and Dario Argento as well as a number of contemporary photographers. Her painterly stroke evokes that of Edvard Munch, Francis Bacon and Egon Schiele as well as the Viennese Secession reprised in Psychedelic Art from her hometown.


    More recent exhibitions include a solo show at the Consulat de la Gaité in Paris, Museum of Contemporary Art North Miami, and DZIALDOV in Berlin. Her work has been presented by international galleries, mostly in Germany and Luxembourg, but also in France, Belgium, the UK and Japan.

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