I've been following the discourse of posthumanism and transhumanism with great interest, and I believe that painting has the ability to address these futurist ideas of our time on a very basic level, given its archaic physical nature, its slowness, material opacity, complex imprecision, and emotionality.
— Ce Jian
Ce Jian's works deal with pictorial traditions and visual concepts that have their origins in cultural and art history and extend into today's digital image worlds. She is interested in questions of a technically transformed aesthetic and physicality, and discusses them in her carefully composed paintings with an expressive palette and spontaneous gestures, which serve as a counterbalance to her conceptual framework.
Her art revolves around the tension between rational constructions and their artificiality on one side and human experience, our perception and feeling, on the other. Ce Jian uses painting as a historically influenced manual medium in which both knowledge and emotions are encoded. Her interest in illusionism, camouflage and perspective – whether in a spatial construction, anamorphosis or stage design – stems from this. She plays with the double status of the physical and virtual presence of her paintings, which is why the exhibition space is also included in a fusion of reality and pictorial reality.
Born in Shandong, China in 1984
Lives and works in Berlin, Germany
Education
2017 |
PhD, Art and Visual History, Humboldt Universität, Berlin, Germany |
2009 |
MA, Art history, philosophy and East Asian art history, Humboldt Universität and Freie Universität, Berlin, Germany |
2008 | Meisterschüler Degree in Fine Art, Berlin University of the Arts |
Solo Exhibitions
2021 |
White Space, ‘Paradise’, Beijing, China |
2019 |
Yell Space, ‘Words of Art, Ce Jian & Yuzheng Cheng’, Shanghai, China |
2018 |
White Space, ‘Armada’, Beijing, China |
Zapbeijing, ‘On Paper 2’, Beijing, China | |
Gallery SU:, ‘Bannermen’, Seoul, South Korea | |
2017 | Whiteconcepts, ‘Transeuropa, Ce Jian & Yuzheng Cheng’, Berlin, Germany |
Philine Cremer Gallery, ‘CAPTCHA’, Dusseldorf |
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2016 | White Space, ‘The Grand Illusion’, Beijing, China |
NON Berlin, ‘Elephant’, Berlin, Germany |
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2015 | Philine Cremer Gallery, ‘Velum’, Dusseldorf |
Group Exhibitions
2023 |
UCCA Edge, ‘Painting Unsettled’, Shanghai, China |
2022 |
Glue, ‘The Situation is Excellent’, Berlin, Germany |
White Space, ‘Persona and Parasite’, Shunyi, China and Beijing, China |
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Galerie Marguo, ‘The Hearing Trumpet, Part I’, curated by Danielle Shang, Paris, France | |
2021 |
Designrepublic, ‘Parallel Universes - Parafacts and Parafiction’, Shanghai, China |
Chengdu Biennale, Chengdu, China |
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Beijing Contemporary Art Expo, ‘Story’, Beijing, China |
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Lage Egal, ‘Sonderlage’, Berlin, Germany |
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2020 |
Surplus Space, ‘El Lissitzky's Rooms’, Wuhan, China |
2019 |
White Space, ‘A White Space Odyssey’, Beijing, China |
German Embassy, ‘Kunstraum Berlin’, Beijing, Germany |
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Galerie Liusa Wang, ‘Yellow Reflection’, Paris, France |
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2018 |
Qiao Space, ‘Art Patrons’, Shanghai, China |
Fosun Foundation Collection, ‘A World in a Grain of Sand’, Sanya, China |
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La Chapelle de Clairefontaine, ‘Remixing Ground: Deconstructing Damage’, France |
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Ce JianSisters, 2022Acrylic, marker, oil crayon on canvas200 x 160 cm
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Ce JianDemoiselles, 2021Acrylic and oil crayon on canvas200 x 190 cm
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Ce JianGreat Friends (1), 2021Acrylic, marker and oil crayon on canvas200 x 150 cm
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Ce JianGreat Friends (2), 2021Acrylic, marker and oil crayon on canvas200 x 150 cm
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Ce JianLolly, 2021Acrylic and oil crayon on canvas110 x 90 cm
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Ce JianThree Graces, 2021Acrylic, marker and oil crayon on canvas230 x 200 cm