My paintings of simplified architectural scenes are based on scale models I have constructed and photographed. I am interested in our experience of home and its existence at different scales, such as the mind, the houses we inhabit and our shared planet. Using a natural, monochromatic colour palette and evoking the softened geometry of raw earth buildings, my work digs down to the underlying unity at the root of all things, contemplating the physical and psychological structures that surround and shape us.
— Jill Tate
Jill Tate (b. 1983) lives and works in Newcastle upon Tyne, UK. She received a 1st Class BA (Hons) in Contemporary Photographic Practice from Northumbria University in 2005.
From the architecture we inhabit to the building blocks of reality, her work surveys the visible and invisible structures that shape our shared and personal space. Jill Tate is interested in our relationship to ‘home’ at difference levels, such as the mind, the houses we inhabit and our shared planet. The place we call home can feel like a sanctuary or a prison, whether it is made of bricks or brain cells, and this dichotomy is an undercurrent in the sparsely furnished environments that she portrays.
Each painting begins as a scale model, which the artist lights and photograph to produce reference images. She uses natural earth pigments to evoke the literal and metaphysical ground from which everything arises and returns. Light plays a crucial role in her work, illuminating form and offering hope through the darkness. The decision to use a monochromatic colour palette relates to the underlying unity of all things - as the temporary arrangement of energy is experienced as solid matter, similarly a scene can emerge from an arrangement of paint.
After establishing herself as a professional architectural photographer, the focus of her artwork shifted towards painting, which has formed the core of her practice since 2017. In 2021 Jill was awarded an Arts Council National Lottery Project Grant for Degrees of Freedom, followed by a DYCP grant for Groundwork in 2022.She has recently exhibited at The Sunday Painter, London; OHSH Projects, London; Unit 1 Gallery, London; BALTIC Gateshead and Hastings Contemporary. Jill is enrolled on the Turps Correspondence Course 2022-23..
Born in 1983, UK
Lives and works in Newcastle upon Tyne, United Kingdom
Education
2023 |
Turps Correspondence Course |
2005 |
BA Contemporary Photographic Practice: First Class Honours, Northumbria University |
Selected Group Exhibitions
2023 |
Galerie Marguo, ‘A New Sensation’, Paris, France |
Gallagher & Turner, ‘Solid Matter’, Newcastle upon Tyne, UK |
|
SteM – Zwijgershoek, ‘NAFT Kunstenfestival’, Sint Niklaas, Belgium |
|
Gallery North, ‘Not so much in the room’, Newcastle upon Tyne, UK |
|
Andelli Art, ‘March Mix’, Wells, UK |
|
OHSH Projects, ‘Artist's Artist’, London, UK |
|
2022 |
Andelli Art, ‘Wish List’, Wells, UK |
Mall Galleries, ‘ING Discerning Eye’, London, UK |
|
The Truman Brewery, ‘Gertrude Presents’, London, UK |
|
Wells Cathedral, ‘Wells Art Contemporary’, Wells, UK |
|
The Sunday Painter, ‘Elbow Room’, London, UK |
|
The NewBridge Project, ‘Degrees of Freedom’, Newcastle upon Tyne, UK |
|
Newcastle Contemporary Art, ‘Everybody Knows This Is Nowhere’, Newcastle, UK |
|
Messums Yorkshire, ‘Routes North’, Harrogate, UK |
|
2021 |
Hastings Contemporary, ‘A Generous Space’, Hastings, UK |
Unit 1 Gallery Workshop, ‘Fair Art Fair Curated 1’, London, UK |
|
The Auxiliary, ‘Middlesbrough Art Weekender’, Middlesbrough, UK |
|
Mall Galleries, ‘Figurative Art Now’, (online) |
|
BALTIC, ‘Open Submission’, Gateshead, UK |
|
Victoria Works, ‘Animal Party’, Sheffield, UK |
|
Pineapple Black, ‘Black and White Christmas’, Middlesbrough, UK |
|
The Biscuit Factory, ‘The Autumn Exhibition’, Newcastle upon Tyne, UK |
|
Bloc Projects, ‘Members Show’, Sheffield, UK |
|
Gosforth Civic Theatre, ‘A Study of Imaginary Chasms’, Newcastle upon Tyne, UK |
Awards and Grants
2022 |
Groundwork, Arts Council England DYCP |
Contemporary British Painting Prize, longlisted |
|
2021 |
Degrees of Freedom, Arts Council England Project |
Jackson's Painting Prize |
Residency
2006 |
Arts Council Artist Placement Program: Mosedale Gillatt Architects |
-
Jill TateFunction Room, 2023Handmade acrylic (non-toxic acrylic and natural earth pigment powders) on board60 x 80 cm (27 1/2 x 31 1/2 in)
-
Jill TateMake Room, 2023Oil on wood120 x 90 cm
-
Jill TateSee Through, 2023Oil on board120 x 90 cm (47 1/4 x 35 3/8 in)
-
Jill TateHand Me Down, 2022Oil on wood120 x 90 cm (47 1/4 x 35 3/8 in)
-
Jill TateHardly Working, 2022Oil on wood120 x 90 cm (47 1/4 x 35 3/8 in)
-
Jill TateKnown Domain, 2022Oil on wood40 x 30 cm (15 3/4 x 11 3/4 in)
-
Jill TateLost Property, 2022Oil on wood60 x 80 cm (23 5/8 x 31 1/2 in)
-
Jill TatePlace Holder 2, 2022Acrylic on wood40 x 30 cm (15 3/4 x 11 3/4 in)
-
Jill TateStep in Time, 2022Oil on wood40 x 30 cm (15 3/4 x 11 3/4 in)
-
Jill TateWithhold, 2022Oil on wood30 x 30 cm