Overview

For Agboke, subverting mundane, day-to-day objects is a mode of revisiting. Humour is used as an avenue that can facilitate dealing with darker issues.

 

— Jamiu Agboke

Memories of conversations, objects and scenes emerging from both imagined dreams and tangible realities take form in Agboke’s compositions. Capturing sensations of his daily life, Agboke seeks to construct a scaffold that links how we negotiate our senses of being with our ways of perceiving the world around us.

 

Figures seem to shirk fixed positions; they drift, phasing through space, time and certainty, vividly engaging with their environments as equally as they cunningly elude them. Agboke’s compositions flow like a fleeting rhythmic melody, escaping any sense of permanent palpability while simultaneously committing to confidently collide into reality, albeit for brief, transient moments in time.

 

For Agboke, subverting mundane, day-to-day objects is a mode of revisiting. Humour is used as an avenue that can facilitate dealing with darker issues; figures and objects present more than any of their preconceived meanings or signals suggest.

Biography

Born in 1989 in Lagos, Nigeria

Lives and works in London, UK

 

Education

 

2023 

VIN VIN, ‘Dark Waters’, Napoli, Italy

 

Solo Exhibitions

 

2022 

 

 

Group Exhibitions

 

2023 Galerie Marguo, 'A New Sensation', Paris, France
 

White Cube, alongside Michael Armitage, Mona Hatoum, Alia Ahmad, online

 

Jack Barret, ‘Oh, What a World’, New York, USA

 

Project Space, Kane le Bain, London, UK

2022

Soho Review, ‘Out of November’, London, UK

 

The Split Gallery, ‘Second Expression’, London, UK

   VIN VIN, ‘CONTRAPUNTO’, Vienna, Austria
 

Guts Gallery, ‘The BitterSweet Review’, exhibition on throughout Frieze London, London, UK

Works
Press