• 14 September – 14 October 2023 Vernissage: 14 September, 6 – 8 pm Galerie Marguo, Paris Galerie Marguo is pleased...
    Dianna Settles
    99 flowers open like an open head (abundancing together, the living altar), 2023
    Acrylic, gouache, and colored pencil on wood panel
    81.3 x 61 cm (32 x 24 in)
     
    14 September – 14 October 2023
    Vernissage: 14 September, 6 – 8 pm
    Galerie Marguo, Paris
     

    Galerie Marguo is pleased to present A Thousand Paths Bloom, a solo exhibition of recent paintings by the Atlanta-based artist Dianna Settles. On view from 14 September to 14 October, this exhibition marks the artist's first solo exhibition in Europe.

     

    Drawing inspiration from time spent in both France and in the Southeastern United States, Settles' paintings collapse time, space, life, and death into narrative-driven works that chronicle farming, communal living, spirituality, and contemporary land-based struggles common to both geographies. Notably, Settles' most recent paintings incorporate images of friends, animals, and other figures who are no longer living, a reverent nod to the cyclical nature of life and the reality that we are collectively made up of all that has ever lived and died before.

     
    Full Press Release: English · French
  • Artist Film

     
  • Dianna Settles, Good is the reckoning that uses no tallies and does no counting, 2023

    Dianna Settles

    Good is the reckoning that uses no tallies and does no counting, 2023
    Acrylic and colored pencil on panel
    81.3 x 121.9 x 4.4 cm (32 x 48 x 1 3/4 in)
  • I want to feel a part of the world, to have stakes in the ways I move through the world that remind me of my place in it and its place in me.
     
    — Dianna Settles
  • Living and working on the farm has helped me shift my relationship to failure. In growing things, no matter how much you learn, prepare for and work to maintain - there are numerous unknown issues that arise despite the time you’ve put in. Disease, pests, scavengers, draught, records lows, freak mid-summer hail storms. There is a brutality that refuses to relent to all the best laid plans. A ruthless learning curve.

     

    No matter the heartache or frustration there is nothing to do besides understand the new defeats as possibilities or even certainties and group them into what you prepare for the next time. 

     
    — Dianna Settles
  • Dianna Settles, Like a bed of tulips in the sun, the haymakers at work, 2023

    Dianna Settles

    Like a bed of tulips in the sun, the haymakers at work, 2023
    Acrylic and colored pencil on panel
    81.3 x 121.9 x 4.4 cm (32 x 48 x 1 ¾ in)
  • Being forced to accept the new knowledge has helped me work through blocks, mistakes, and failings in my paintings. Releasing the desire for control in favor of something more alive.
     
    — Dianna Settles
  • 'A Thousand Paths Bloom' is a body of work on contact without claim. The scenes are intimate and the figures are occupied.
     
    — Irene Silt, poet and writer, about Dianna Settles' work
  • Dianna Settles, Meadows of flame leap. More light for the understory, 2023

    Dianna Settles

    Meadows of flame leap. More light for the understory, 2023
    Acrylic and colored pencil on panel
    81.3 x 61 x 4.4 cm (32 x 24 x 1 3/4 in)
  • Dianna Settles, Old wisdoms, lively passions, nothing was missing. Not even heaven’s help, 2023

    Dianna Settles

    Old wisdoms, lively passions, nothing was missing. Not even heaven’s help, 2023
    Acrylic and colored pencil on panel
    81.3 x 121.9 x 4.4 cm (32 x 48 x 1 3/4 in)
  • Dianna Settles, Cherishing what you have means devotion to it without delay, 2023

    Dianna Settles

    Cherishing what you have means devotion to it without delay, 2023
    Acrylic and colored pencil on panel
    81.3 x 121.9 x 4.4 cm (32 x 48 x 1 3/4 in)
  • There is no painting of life, only life held in the painting. Parasites feed as the ground gives rise to food. Those who have passed appear as the rest. To awaken the dead, poetry must be the very stuff of life. Here we are as poets of action.
     
    — Irene Silt, poet and writer, about Dianna Settles' work
  • From the background an uncomfortable hue floats forward. The aggression of earth does not settle. The most careful details are in the rot, the scars, the aftermath still acting. Things are flattened so that we may gaze over ourselves without classification or rank. We can recall or realize. The colors and shapes of memory morph into aspiration. Poetic compositions give way to our yearning. Failure’s refrain gives way to all merit. A merit that will never desert us.
     
    — Irene Silt, poet and writer, about Dianna Settles' work
  • Dianna Settles, The little plants come toward me and the say, ‘you, we are aware can do nothing for us',...

    Dianna Settles

    The little plants come toward me and the say, ‘you, we are aware can do nothing for us', 2023
    Acrylic and colored pencil on panel
    81.3 x 61 x 4.4 cm (32 x 24 x 1 3/4 in)
  • Painting friends, family members, and companions who have passed into my group scenes has been a means of remembering all of the ways that the dead live on. As well as acting as a tool for parsing through my grief and carving out space for it in the midst of trudging forward.
     
    Their figures in the compositions remind me of their roles in every futurity, on a world that could never have their vitality wrung from it, but instead moves on forever shaped by their souls and intensities. They urge me to continue struggling towards a life worth living in common, against isolation, repression and the destruction of the world.
     
    — Dianna Settles
  • Dianna Settles, How the world this summer was full of flowers. The fireflies are waiting, 2023

    Dianna Settles

    How the world this summer was full of flowers. The fireflies are waiting, 2023
    Acrylic and colored pencil on panel
    81.3 x 121.9 x 4.4 cm (32 x 48 x 1 3/4 in)
  • ABOUT THE ARTIST
    Portrait of Dianna Settles. © Dianna Settles. Courtesy of the artist and Galerie Marguo.

    ABOUT THE ARTIST

    Dianna Settles’ practice examines what it is to exist as part of a collective, portraying how culture, politics, and ideologies intertwine in community. Forms are arranged symbolically in poetic compositions, placing portraits of friends into potent moments in time. Bathhouses, prisons, and gathering places are depicted in conversation, while blooming patterns, details, and colors are woven into the scenes. Settles draws from Western tradition, as well as from the art history of her father’s native Vietnam, mindfully synthesizing multiple lineages while recontextualizing marginalized bodies.

     

    Dianna Settles was born in 1989 and grew up in Blue Ridge, GA. She lives and works in Lexington, Kentucky. Settles received her BFA from the San Francisco Art Institute in 2014.

     

    Settles’ recent exhibitions include Ribbon of Earth at Asia Now fair with Galerie Marguo, Paris, FR (2024, solo); Kiaf SEOUL fair with Galerie Marguo, Seoul, KR (2024, group); Casa Marguo Summer Presentation, Menorca, ES (2024, group); New artworks from the Consortium Museum Collection, Consortium Museum, Dijon, FR (2024, group); A Thousand Paths Bloom, Galerie Marguo, Paris, FR (2023, solo); Home Run, Casa Marguo Inaugural Exhibition, Menorca, ES (2023, group); A Life Worth Living Would Be A Life Worth Living, MARCH, New York, US (2022, solo); Olly Olly Oxen Free, Institute 193, Lexington, US (2021, solo); 99 Flowers, Versa Gallery, Chattanooga, US (2018, solo), Hi-Lo Press, Atlanta, US (2018, solo), HI LO, Runaway Studio, Pittsburgh, US (2018, solo). She has also exhibited with MINT Gallery (Atlanta, GA), the High Museum (Atlanta, GA), Delaplane (San Francisco, CA), and the San Francisco Art Institute (San Francisco, CA), among others.

     

    Her work is in the permanent collections of the Consortium Museum (Dijon, FR), X Museum (Shanghai, CN), Longlati Foundation (Shanghai, CN), Podo Museum (Jeju, KR) and the ICA Miami (Miami, US).

     

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