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15 OCTOBER – 19 NOVEMBER 2022VERNISSAGE: SATURDAY 15 OCTOBER 6 – 8 PM4 RUE DES MINIMES, 75003 PARIS
"Ana Karkar's paintings have a distant memory of films, not at all virtuous, more haunted than exact. Ana Karkar paints these images of films as they continue to live in us, after their projection, inhabiting the back of our mind: caution, a permanent storm."
— Philippe Azoury, Journalist and Film Critic
Galerie Marguo is pleased to present Return From Exile, a suite of new works by French-American artist Ana Karkar. Comprising a series of canvases ranging from intimate to monumental scales, the melting and distorted figures painted within are largely inspired by cult films. On view from 15 October to 19 November 2022, this exhibition marks the artist’s first solo show with the gallery on the occasion of the first edition of Paris+ par Art Basel.
Editor Jeremy Benkemoun writes of Ana Karkar’s work: “From one hell to another the line is so fine, so which one to choose: a hell in reality or one of images? In truth, it is on the border of these two that Ana’s figures exist, living in our imagination as well as on our screen. Like Adjani in Possession (1981), who from a fit of hysteria gives birth to a god, the paintings pay homage to those marginalized, those who access the sacred when they explode. Ana Karkar reflects on multiple planes: on the parallels between reality and film, and bridges between film and today’s painting.”
Artist: Ana Karkar -
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Ana refers to cult films in her paintings: subversive figures who stop hiding, whose existence is self-sufficient, whose difference, uniqueness, burst and propagate onto their environment, which had previously pushed them into autarky.— Jeremy Benkemoun, Editor of IWAKAN Magazine, Tokyo
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Ana Karkar
Call Me Snake, 2022Oil on linen
130 x 195 cm (51 1/8 x 76 3/4 in) -
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The idea of being together only appears in the paintings in its carnal form, sex, both brutal and fluid, like an impulse wavering between the desire to love and the desire to destroy.— Jeremy Benkemoun
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Ana Karkar
De la Mort à la Vie (Orangutan), 2022Oil on linen
160 x 220 cm (63 x 86 5/8 in) -
Doubled faces, melting bodies, sometimes intimately or being watched, in the end even the sex scenes seem closer to a mental space, where several angles of the same figure intertwine, like a celebration of contradictions.
— Jeremy Benkemoun
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The paintings offer us chaos as a form of harmony: to exist between blood, sex and death, so we can delve deeper into life.— Jeremy Benkemoun
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The return from exile which Ana Karkar speaks of is not a return to society, but rather a triumphant 'come back' in a role that previously did not exist. After exile, difference is accepted, the marginal no longer bend, but on the contrary become an agent for change.- Jeremy Benkemoun
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Ana Karkar
Track in the Back, 2022Oil on linen
92 x 65 cm (36 1/4 x 25 5/8 in) -
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